Monday 30 June 2014

Eric Siday - The Ultra Sonic Perception (Duel Planet)



Here are some micro masterpieces of machine music on another brilliant release from Duel Planet. Eric Siday, like Raymond Scott, started his career in Jazz. Both would become involved in electronic music and commercials. In London of the 1920s Siday played violin in Ray Starita's Piccadilly Revels. I'm assuming it's him clearly heard on the intro to this...


If 'hot' Jazz is a little too old-fashioned for you, line it up with a track by The Caretaker and play them together to create your own haunted ballroom experience. I haven't done it, but I'm sure it would work. And you will be fusing Past and Present just like the sonic time-traveller you always wanted to be, won't you?

Like the subject of the other recent Duel Planet release, Don Harper, Siday made music for the Doctor Who TV series which, as you know, inadvertently proved to be a source of some of the finest electronic music made, even though it wasn't composed to be significant outside of it's context. The sounds of a brave, new, often nightmarish world were beamed into the homes of millions, thus subconsciously preparing occupants to embrace avant-garde works by the like of Berio, Stockhausen etc, whose album sold millions and were regularly played on Radio Two. All because The Radiophonic Workshop production line recorded weird sounds for Doctor Who which subsequently changed the face of British and worldwide music irrevocably, rendering drippy love songs and Rock 'n' Roll irrelevant right up to this day...

...sorry, that only happened in a parallel universe of my own making...

What could be better suited to our wonderful techno age of reduced attention spans than a collection of pieces which last no longer than 3mins 9secs? And that length in this context is akin to a Wagner opera since most barely break the 1min barrier - perfect! 

In these busy times when Work-to-own-crap, TV, DVD, PCs, social networking, blogging, Tweeting, scrolling though Pinterest images (more! more!) etc demand so much of our time (oh how willingly we give it!) not only is the idea of listening to a whole album absurd, but so to is paying attention to a single which might last four minutes - four minutes! How many sites could you visit in that time? About 10! Whereas here we have gems such as The Machines in two parts which still only total 2mins 14 secs! Never mind Meteors, which shower down for just 37secs. Sidereal Vibrations is a whole 1min 36secs long but the time is filled admirably with chattering electronics and what sounds like a theremin echoing the glory days of a dreamy past when this bizarre new instrument could render mystery and magic imaginable to enthralled listeners.

The Ultra Sonic Perception is the Sound of Now from yesterday which even contains elements of yesterday's yesterdays in such charming tracks as The Concerto To The Stars with it's twilight zone atmosphere backing Latin percussion and old-time Pop classical piano - bravo! Pavane is equally pleasing with an upright bass walking us through a somewhat noirish mood to which one might imagine a cartoon private eye pondering the puzzle of a dame who spells danger. 

It's all wonderful, this collection of snapshot moods made for stories, the contents of which we can only imagine and that's part of the fun.



Saturday 28 June 2014

Miscellany: Elbow / Raymond Scott's Lightworks / Seaes II /Art and Artists magazine, 1969


Elbow - why? I couldn't help but wonder watching some of their Glastonbury performance last night on TV - the portly singer dressed as if about to do some DIY, leaning forward towards his adoring audience, encouraging them to wave their arms from side-to-side and telling them how wonderful they were between each song - he knows how to boost sales - he's just one of them, an ordinary Mancunian with no airs and graces, just like Elbow's music, no aspiration towards anything other than turgid 'anthems' with simplistic melodies that build, endlessly, towards the kind of 'climatic' last few minutes which make simpletons feel they're experiencing something truly epic. The BBC editor was fond of picking out girls from the crowd, girls on someone's shoulders, 'pretty' girls, of course, all called Tabitha or Tamara, having the time of their lives, all smiles - 'It's all so co-o-o-ol!' But Elbow. Such was the extent of their ordinariness that I became transfixed, unable to reach for the remote, trapped by the sluggish waves of sound emanating from the box. Thankfully, I was set free when it ended. But the residual, numbing horror remained for some time.

*****

Here's an ad break for the ladies...



The name of the game is Lightworks...Raymond Scott's music for the ad...


*****


Look at this. A beautiful minimalist design, is it not? It's a 4-disc compilation of music by Seaes, who is none other than Chris Douglas (aka Dalglish, Scald Rougish, O.S.T.) put together by the label, MEDS. The 56 tracks cover the years from 1999 to 2012, no titles, just TL (2004), ML (2000) etc. Need I tell you that's it's an essential purchase? And at £14.99, a real bargain. Only 15 of 100 left on pre-order here as I write. Fans of Chris Douglas' work will not be disappointed. More on this release soon. Something like a review.

*****

Art and Artists magazine, 1969


Pierre Henry's Greatest Hits Volume 1


In association with Pruductions Musique de Génie, Include Me Out proudly presents Pierre Henry's Greatest Hits Volume 1 - you've never heard anything like it! Unless you've heard Pierre Henry...or anyone who sounds like him. But here, for probably the first time in musical history, is a selection of his very greatest hits. His most popular tunes as loved by millions around the world since the 1950s. Thrill to the sound of Trille, Variations and others on this special 62 minute compilation, now available for the first time in the exciting, modern download format! 

Biography: Pierre Henry was born in France (1948) by the process of splicing two pieces of magnetic tape together. He grew up on a reel in a studio where he then began splicing tape together and manipulating real sounds to make them sound unreal to the point where reality and unreality became indistinguishable. By the 1960s Henry was himself an electronic entity, soon to be synthesised and eventually digitised, becoming the astounding music-making man-machine we know and love today. 


Interpretation Bleue
Vrombissement
Trille
Concerto des ambiguites - Intermede
Attente
Souffle 2
Mine II
Vivrevoltage
Electro-genese
Variations
Agitation D'orchestre
Tokyo 2002
Fievre 2
Caleches


Get it here


Friday 27 June 2014

Time Attendant - Bloodhounds (Exotic Pylon)


From Sun Ra's cosmic keyboard thrashing on Gods Of The Thunder Rain (Live At Montreux) to Time Attendant's Ermine Fever, that was my sonic experience this morning and the two were quite compatible. Afro future past, analogue future present - they're linked by different approaches to percussive rhythm, the natural and mechanical/sampled. Sun Ra is partial to a chant, but whoever is saying what cannot be understood on Ermine Fever adds to the the mystery and atmosphere (like a lost soul in space crying out to be saved).

(Is that link tenuous? Possibly.)

Paul Snowdon always avoids falling into the ghostly-by-numbers trap and this record is no exception. Nettle Sting Riddle conjures up the spirit in the machine without resorting to spook cliché; packed with small details, layered ethereal textures of twilight twinkling, field samples and tormented equipment. Inky's Patch has a basic dub-style template which in the hands of others would be just that with whizzy effects, but what Snowdon adds to the background colour on this canvas exceeds what most mortals would imagine. The simplest of melodies is warped with varying bass tones, subtle echo and swooping electronic punctuation.

Horses, horses! There's one on here (Flashy Pointer). And a barking dog. Many samples (?) and field recordings are buried in the mix. The mix is everything. The composition, if you like, if that's not lending it too much weight. I don't think so. Snowdon does compose and in that he's a rarity amongst modern electronic music makers. Without exactly being radical and sometimes using simple beats, he still pieces together tracks that continue to present previously unheard components upon replaying. Bloodhounds may not get into top gear speed-wise, but as some tracks chug along your brain is bound to get chewed up in the cogs of Snowdon's cunning mechanics.

Exotic Pylon

Thursday 26 June 2014

The Trumpet Of The Martians, 1916


The Trumpet of the Martians 
People!
The human brain today still staggers on 3 legs (3 spatial axes)! We, tilling the human brain like ploughmen, will glue to this puppy a 4th leg, namely the axis of time.
   Lame puppy! You will no longer torture our ears with your nasty bark.
   The people of the past showed their limited intelligence in assuming that the sail of state could be built for the axes of space alone.
   We, cloaked only in victories, are starting construction of a young union with its sail along the axis of time, warning you in advance that our size is larger than Cheops, and that our task is courageous, grand,
and rigorous.
   We, rigorous carpenters, once more throw ourselves and our names into the seething cauldrons of marvelous tasks.
   We have faith in ourselves, and with indignation reject the vicious whisper of the people of the past who dream of biting us in our [Achilles] heel.
   After all, we are barefoot (Consonantal error). But we are beautiful
in the firm betrayal of our past - which has just entered the age of Kharkov victory and in the unrelenting fury of the next hammer aiming at the terrestrial globe which has already begun to shake under our tramp.
   Black sails of time, rustle! 

Victor Khlebnikov, Maria Sinyakova, Bozhidar, Grigory Petnikov, Nikolay Aseyev

Viktor Khlebnikov


"LET THE MILKY WAY SPLIT INTO THE MILKY WAY OF THE INVENTORS AND THE MILKY WAY OF THE CONSUMERS."

Here are the words of a new holy war,-
Our questions are directed to the empty space where no man has ever been - we will imperiously brand them on the brow of the Milky Way and on the plump idol of the merchants - questions such as how to free the winged engine from that fat caterpillar, the freight train of elders. Let different age groups separate and live apart! We have broken the seals on the train attached to our engine of audacity - nothing is there
but the graves of youths.
   There are seven of us. We want swords made of the pure iron of youths.
   Those who have drowned in the laws of families and in the laws of trade, those whose speech is limited to: "I eat," cannot understand us, who do not give a thought to any of these things.
   The right to world unions according to age. The divorce of genera­tions, the right to separate existence and activities. The right to individuality for everything up to the Milky Way. Away with the noises of ages! Let the sound of uninterrupted times, the black and white palette, and the brush of destiny rule. Let those who are closer to their death than to their birth surrender! Let them fall to the ground in this fight of times, under our savage attack. And we - we, having tested the ground of the continent of time, have found it fertile. But grabbing hands from there have seized us and prevent us from accomplishing our marvelous betrayal of space. Has there ever been anything more inebriating than this betrayal? You! how would you react to the danger of being born a man, if not by the theft of time? We are calling you to the land where the trees talk, where there are scientific unions that look like waves, where there are vernal armies of love, where time blooms like a bird-cherry tree and moves like a piston, where the transman in a carpenter's apron saws time into boards and treats his tomorrow like a lathe turner. (Oh, equations of kisses-you! Oh, death ray, killed by the death ray placed on the bottom of a wave.) We go there as youths and suddenly someone dead, someone raw-boned seizes us and prevents us from shedding the feathers of this idiotic today. Is this good?    
   Nation of youth, raise the winged sails of time! Before you lies the second theft of the consumers' flame.
   Be more daring! Remove your boney hands, yesterday; may those horrible pupils be shred before Balashov's blow. This is a new blow in the eyes of the vulgar populace of the space. Which is more: the
consumers or the inventors? The consumers have always been creeping in herds after the inventors, now the inventors are driving away the barking of the consumers, who in packs have crept after the lonely
inventor.
   All the industry of the terrestrial globe today, from the point of view of those same consumers is "a theft" (the language and habits of the consumers) from the first inventor, Gauss. He initiated the study of lightening. And during his lifetime he did not even have 150 rubles a year for his scientific work. You try to sanctify the joy of your perpetrated theft with monuments and laudatory articles, and in this way appease your pangs of conscience, suspiciously located in your worm­-shaped appendix. Those who are now supposedly on your banner, Pushkin and Lermontov, were at one time killed by you like rabid dogs, out in the fields, beyond the city! Lobachevsky was demoted by you to the rank of parochial school teacher. Montgolfier was put in a
lunatic asylum. And we? A combat detachment of inventors?
   These are your deeds! One can write thick volumes about them! 
   This is why the inventors, with full awareness of their special breed, their different morals, and their particular mission retreat from the consumers into the independent nation of time (devoid of space) and raise iron bars between them and themselves. The future will decide who will end up in a zoo, the inventors or the consumers, and who will gnaw at the poker with their teeth.

V. Khlebnikov

ORDERS

1. The glorious contributors to Futurian publications are transferred from the category of humans to the category of Martians. 
   Signed: The King of Time, Velimir I

2. We invite Wells and Marinetti to the parliament of the Martians, as guests with the right to a consultative vote. 
   Items on the agenda. 
   " Ulla, ulla,'' Martians! 

1. How free ourselves from the dominance of the people of the past, who still have a shadow of strength in the world of space, without soiling our hands with their life (the soap of word-creation), having let them wallow in the destiny of wicked wood lice which they have built for themselves. We have been destined to conquer Our rights to freedom from the dirty habits of the people of past centuries by means of measure and time. 
2. How to free the fast locomotive of the younger generations from the freight train of the older ones which has been attached to it in an unbidden and insolent way?
   Older people! You are holding up the course of mankind and are preventing the seething locomotive of youth from taking the mountain that stands in its way. We have torn off the seals and have verified that the cargo is gravestones for youth.
   Under the guise of a cargo slyly attached to our haughtily whistling dream, the dirt of the precelestial people is carried along!

The manifesto "Trumpet of the Martians" (Truba Marsian) was published by the group Lyroon, headed by Nikolai Aseev and Grigorii Petnikov.



Wednesday 25 June 2014

Personal TV Experiment From 1969


This family were used in an experiment to determine the effects brought about by each member having their own television set. Psychologists were interested in whether the ability to privately view what they wanted would influence their relationship to each other and if communication between all would increase or decrease during the 7-day period. They did not know that they were predicting a future in which it would  be common for family members to isolate themselves in the medium of their choice, thus bringing peace and harmony in the home through separation via engagement with computer games, PCs, TVs, mobile phones etc. 

When analysed the results showed an increased tolerance on behalf of each family member towards the other once personal engagement via conversation was reduced by 70%. Each one said they were happier not to have to either think up subjects of conversation or listen to the thoughts and problems of others. Older members showed initial reluctance to accept this way of life but ultimately conceded that they were happier being able to watch The Glen Campbell Goodtime Hour without interruptions from the young ones. Unfortunately, grandma died of a heart attack one evening and nobody noticed until the networks closed down for the night. 

Once returned to normality tensions between them increased and arguments were more common than before. The family begged to be allowed to keep their TV sets but were refused. The youngest members would, however, find themselves able to permanently relive the experiment when they became adults with children of their own. 




Tuesday 24 June 2014

Don Harper - Cold Worlds (Duel Planet)


Duel Planet deliver a cool slice of Don Harper at his finest on the two longest tracks, Nightmare and Cold Worlds. Both are superb explorations of electro-acoustic mood music. Nightmare may employ that old cliché of the heartbeat denoting tension but that does not diminish the impact of what else goes on such as bursts of free sax, thundering drums and demented synth that wouldn't be out of place on a Sun Ra album. Cold Worlds contains more mad keyboard-playing from guest Doctor Phibes (I think), great sax again and eerie vocals. Both are real highlights. A 1973 update of the Doctor Who theme is here too, putting a very different spin on the tune. The shorter tracks such as Dank Earth and Troubled Mind are drenched in atmosphere in the more familiar but no less impressive vein of horror cues.






Invasion of the Cybermen, who scared the hell out of me more than the Daleks.

Monday 23 June 2014

Modern People Are Rubbish



I'm sat in a square trying to listen to Dick Raaijmaker's Pianoforte but it's being ruined by the (modern) R&B blasting out of the parked Royal Mail van...modern people are rubbish...

Modern people listen to rubbish...all modern bands are rubbish except Sleaford Mods (and they're not even a 'band') and the Sun Ra Arkestra along with any bands lead by surviving Jazz legends although even seeing Sonny Rollins 'live' might be rubbish compared to seeing him in 1958...because modern music is rubbish, obviously, except for good electronic music, which hardly anyone listens to...see Later With Jools Holland and the charts...

Modern people watch rubbish...in Cineplex hell holes screening shit in 3-D because modern people have no capacity to engage with intelligent or artistic directing or scripts...and they watch rubbish TV like reality shows or 'talent' contests and the news because they want to keep up with the rubbish that's going on like terrorist video broadcasts and men in the streets killing each other in the name of either religious or political shit...and all politics in Britain is rubbish populated by showroom dummies spouting the party line because they can't speak their minds for fear of losing their careers, except they have no individual minds to speak because they're all cloned at head office...so modern people get confused trying to choose when there's no real difference...

Modern people read rubbish...because there are no great modern novels except The Prone Gunman by Jean-Patrick Manchette (1981), No Country For Old Men by Cormac McCarthy (2005) and Noir by Robert Coover (2010)...but those who still read consider themselves to be some kind of holy breed just because they've got a book in their hands, or a Kindle, which enables them to handhold more shit than they could ever dream of - whoopee! They read newspapers, mostly rubbish tabloids that keep their brains topped up with shit, or skim articles online because modern people can't read anything longer than a tweet or, at a push, 300 words...they read popular blogs by 'funny' people, or those waiting to die from an incurable disease...or ten-year-old fashion gurus...or whatever rubbish makes a blog popular...and of course they read tweets...all day long, 'tweet, tweet, tweet'...trending apocalypse of emptiness...and any rubbish written by their celebrity heroes...

Modern people wear rubbish...just look around you at the half-arse (literally) jeans, sad sack t-shirts (logos or any 'hipster' record label/band in a feeble attempt to announce some kind of individuality), criminal shorts'n'socks, 'sexy' wannabe celeb birds tottering on heels, shit trainers (still!)...even blokes riding bikes show the cracks of their arseholes because they don't know what a belt is and the rubbish trousers are cut too low...and unless you're a fat middle-aged man forget trying to find anything that fits (Uniqlo being a notable exception)...talking of fat, sadly, the shape a lot of people are in even if they wore great clothes they'd look rubbish...because...

Modern people eat rubbish...ready-made, shit-filled for the Got No Time generations who need the time to tweet and watch shit on telly or work longer hours to be able to afford more rubbish...and they moan about the cost of the shit instead of learning to cook good, simple, economic food which even imbeciles could manage if their numbed brains thought about it...salt, fat, sugar, salt, fat, sugar...irresistible! Slush puppy pizza chicken village chips kebab lifestyle of the poor and lazy...

Modern people's protests are rubbish...involving either mindless shop-smashing rage against the world to get trainers and flat screen TVs, or playing didgeridoos or bongos as if that's going to worry The Man...honkies with dreadlocks looked crap in the 80s never mind now...shouting about being 'anti-capitalist' as if a vague, generalised notion of what's wrong is the route to changing anything...their slogans are rubbish compared to Paris 1968 and they don't dress half as well either...or a timid soul raises their hand on Question Time to lodge a little complaint or ask a 'protest' question during their token democratic TV time slot to get by-the-book answers from MPs and agreement from a 'controversial' celebrity guest who wants publicity and more followers on Twitter...

Modern people's obsession with technology is rubbish...quite obviously, although the way people worship it and companies promote it you'd think that the latest upgrade of any shit is absolutely essential to modern life...because we're all shackled to technology to varying degrees but the truly modern person is a slave who cannot cut the chain that links them to their phones or laptops which must be open everywhere including on a plane/mountain, toilet/bed because to sit and either just think, look around, doodle, dream, be creative is, like...why? Right? Why, when you can have a coffee in a cafe and be online? Why would you not do that, eh? And why wouldn't you buy technology for your child so they don't feel left out when their five-year-old friends are all online watching porn or bullying each other, or joining sites dedicated to promoting suicide or self-harm ("I can't face the thought of being ten!")...

Modern people...honestly...

Sunday 22 June 2014

Henk Badings - The Woman Of Andros (Kontinental)


Another first class release from Kontinental, about whom I can find no information online. They've also put out some more superb electronic music from the Netherlands where, along with Tom Dissevelt and Dick Raaijmakers, Henk Badings forged electrosonik sounds in the 50s.

Here's the Philips NatLab studio where Badings worked from '56 to '60...


...don't you love photos of such places, crammed with technology awaiting the magic touch of futuristic music-makers?

Badings was a classical composer before he plugged himself in to the brave new world of wired-up sonics. Having been a mining engineer before dedicating himself fully to music in 1937 probably helped him explore the complex mechanics of this new music. In the late-50s he composed for three ballets choreographed by Yvonne Georgi and The Woman Of Andros, based on Thornton Wilder's novel, is one of them.

Right from the Introduction you enter an incredible realm of dynamic sound, punctuated by unsettling noises. Interrupted Dinner Party is jauntier, displaying characteristic melodies fans of the other Dutch electronic pioneers will recognise. Yet Badings underpins the lighter elements with dark rumblings and alterations to the tone of his 'storytelling'. Themes recur but Badings maintains a high degree of depth and variation to the compositions, shifting from aggressive discord to a melancholy refrain on Meeting of Pamphilus and Glycerium. Solo Chrysis could easily fit into any, yes, you guessed it, ghostly box of the last few years.

Badings' Orestes, a radiophonic opera, is considered to be the first 'electronic' music made in the Netherlands, but if you're considering buying it don't expect electronic music as we know it. As Badings said, the voices and orchestration are 'transformed by electronic means' and is more concrete than pure electronics. To many, therefore, it will not sound so radically different from a normal opera.

Here's a piece from 1957 which I recently uploaded. It was written for an animated film and is described by Badings as 'a light and frolic experiment in sound and movement'.



Friday 20 June 2014

Wag Club Hipsters / Horace Silver Finger Pops His Way Out


Dear Horace has departed from this planet, his funky soul now residing in a, if not the parallel dimension, should there be just one, wherein, should he meet my beloved father, he may well play a song for him. All of which is most unlikely.

It was the early-80s when I first lowered a stylus on Horace Silver's Blue Note albums and discovered his ability to blow the blues away. We were the new breed of Hard Boppers, frequenting The Wag club in Soho on Monday nights, thinking ourselves terribly hip. Being hungover from Punk and the death of Funk, what better to revive our spirits than Jazz?

Recently an archive piece about The Wag appeared on YouTube. To my surprise and delight it contains an interview with two friends from those days. Now time has devoured them, but no matter, it's great to see those fresh-faced, cool, sartorially slick young Londoners telling the interviewer what's what. Too much Ella Fitzgerald, indeed! You had to be there to understand how, towards the end, hearing Mack The Knife again became tiresome. But they, eager to display discernment, were critics of the great lady even before then. Sheldon's riposte: "We like Hard Bop," says it all; the hipster snub of what was great according to an ageing Rock critic. They went on to run The Cutting Edge club across Soho in Frith Street, conducting their sermon from behind the decks. Naturally, Horace Silver was one 'lesson' taught every Saturday night. His funky, swinging gospel was something we all adhered to religiously.



5  pieces of Silver.

The Jody Grind


Senor Blues


Song For My Father


The Happy Medium


Psychedelic Sally






Wednesday 18 June 2014

Sun Ra Arkestra at Cafe Oto


........Sun Ra's remaining earthly representatives set satellites and heads spinning Monday night at Cafe Oto in down town Dalston where disciples gathered for some pure sun pleasure.........Sun-worship whilst He resides back on Saturn is at fever pitch, especially for those like myself who didn't see him whilst he was here......but Ra is here, there, everywhere, as his fans will testify.............the flame is kept burning brightly by the oldest surviving member, Marshall Allen, who joined in 1958...he's now 90, unbelievably and still sparkles with energy, punching the air, raising hands to drop them directing the Arkestra, singing and spitting typically fiery solos through his alto horn..............assembled in space gear, glittering in spotlights, members cramped so tight the trombonist almost decapitates players in front when he slides out a solo....in the time-space continuum tradition standards such as Sometimes I'm Happy and Stars Fell On Alabama were played but the gates to the magic city were really thrown open when the band hit a swinging stride, some going walkabout through the crowd..........................fine rearrangements of Space Is The Place and the kind of sonic salvo we craved during passages of Rocket Number Nine and for a time it felt like all there were truly being blasted way off into the universe..............

...................................thinking about Sun Ra a few days later, his truly profound sonic universe like no other in music.......the breadth, diversity of Sun Ra, poet, philosopher, player, writer, arranger of cosmo-mystical savage beauty, radicalism, tradition, Afro-infinite musical genius..............I just felt grateful to be an explorer of what feels like an endless musical world................

Sunday 15 June 2014

Click, next, explode, regress.........

click - next - click - next - clicknextclicknextclicknextclicknextclicknextclicknextclicknextclicknextclicknext
STOP!
F'GODS SAKE STOP..........................................


'IMAGES...AH GOT MILLIONS AND MILLIONS OF IMAGES...EYE CANDY, EAR CANDY, BRAIN CANDY (?)...........................NEXT....
                                                                         he had to right things - put things write - put things to writes otherwise he'd go crazy & explode into a trillion fragments of pixels fused with flesh (breathe) - go on

.......no don't go on.....................

.....................................he wished he could go on like a Coltrane solo just before he dies - that crazy shit streaming from lungs to reed into the air showering the audience with notes blurred like a smudged hurricane of sound, like all the images & words he'd seen that day on the computer recalled instantly as one awful mindfuck mosaic.............................


................................................................................................................................pause.................

facebook friend like pause look listen scroll scroll scroll scroll sick people have got to share their illness with someone and it's you and you don't mind that but the sick people who don't know they're sick are a problem.........selfish people have got to share their ideas images and art with someone and it's you but they aren't too interested in 'liking' what anyone else is doing least of all what you're doing - unfollow - political beliefs, news, jokes, cats, crazy videos, music, jokes, political opinions, news feed, newsfeed, newsfeed..................................................


.........................set the controls for the heart of The Sun newspaper - it's awful - that's news - it's rotten - that's news - preach to the converted or, no, hold on, play devil's advocate, wind-up merchant - these people are so gullible! Left, Right, Left, Right wing, Left, Right  Left, Right, Left, Right wing, Left, Right............


suddenly he wished he could go knock on his friend's door ask his mum if he was in and run through fields dressed as cowboys with such innocent minds as he'd done when he was a child....he was regressing....the internet had stunned him into a state of regression, cynicism, despair, doubt about what the hell had happened or what he'd done over all the years and he remembered childhood, he was a child......he could no longer type or read novels and didn't want to watch the news on TV..........he went back even further beyond memory into pure imagination of being a baby......back.........back.........into the womb............ and back into nothingness..........................................



Shuffle mode listening courtesy of The Machine...



Synthi Bossa Nova - Piero Umiliani / Cybernauts - Jean-Jacques Perrey / Dr Who theme (stereo version) - BBC Radiophonic Workshop / Can I Do Something For You - Fred Myrow / Time Itself - Sone Institute /
Itlit (get 0) - Autechre / Words of Advice - William Burroughs / Music from 'Cosmos' - Artemiev/Kreitchi /
Oratorio - Baudouin Oosterlynck / Kolossus - Kreng / Keyop - Lego Feet / Poignee De Sole - Michael Magne / Salt and Pepper - Lee Perry / The Machines - David Shea / The Red-Eyed Rats - Creed Taylor / Grief and Repetition - Oneohtrix Point Never / Moto Centripeto - Lesiman / Chanson De Geste - Dennis Smalley / Scenic Railway - Serge Gainsbourg / Eigenface - Der Zyklus / The Relic Ship - Gino Marinuzzi / Ice Carrier - Yves De Mey / Anticipation - Eric Framond / Electronic Track 4 - Peter Bonello / Spleen - Pierre Laurency


*****


Friday 13 June 2014


Shivers - Shivers (Miasmah)


It's fitting that the excellent cover suggests film noir and the title's taken from David Cronenberg's first film because the atmosphere reeks of mean otherworldly streets where parasitic evil monsters lurk. Track titles such as Rabid, Brood and Replicant give the influence away but don't prepare you for the sound brewed up by the trio of Rutger Zuydervelt (Machinefabriek), Gareth Davis and Leo Fabriek. Despite Davis's bass clarinet and Fabriek's drum kit mixed with Fabriek's electronics the term 'electro-acoustic' doesn't quite apply. Davis' playing in 'free' mode is mood-enhancing rather than dominant and upfront Improv, as demonstrated on the opener, Ash. Whilst at times it threatens to lurch into heavy metallic-electro, thankfully it refrains due to Fabriek not maintaining a regular beat but adding thunderous punctuation instead.

Davis is more prominent on Otomo during the first half but is consumed by an avalanche of electronic mire as the piece evolves. Here and elsewhere the heaviness is reminiscent of Last Exit's bassy weight compounded by Peter Brötzmann's sax playing. But whilst Rabid kicks off like Otomo Yoshihide a swift edit slides it into far more restrained territory with Davis almost playing melodically whilst Fabriek kicks things along and Zuydervelt adds a subtle keyboard. Replicant similarly begins all bluster and noise but moves into moody ambient mode halfway before increasing the pressure again.

The ghost of Howard Shore, who originally scored Shivers and The Brood, may lurk as a reference, but there's something of John Carpenter on Brood, which acknowledges his trademark synth sound without, as so many have done, simply imitating, since the track definitely has it's own identity. Double bass and drum keep the momentum going on Spacek, which rumbles along in fine style. It's soaked in the kind of brooding (ha-ha) menace that permeates most of what is a very satisfying, dark fusion of genres on an album that virtually creates a new one, which I'm not about to try and name.


Thursday 12 June 2014

Subjective fotografie: Otto Steinerts Schuler in Saarbrucken 1948-1959 (Ludwig Galerie, 2002)

(I told you (yes, you) that if you were good I'd scan some of this so I have, although I've no proof that you've been good, I'm just making a generous assumption)

....................another to add to my Art books in German......(the Heartfield, Höch and others, which you're welcome to come 'round and look at any time, just call first; don't turn up unexpected and find me in my slippers and the flat strewn with copies of Hello, The Sun and How To Be A Successful Blogger).........

....Lady Luck was good to me the other day.........I found this for £8 and fantastic it is too...............(1st scan isn't mine since my scanner wouldn't do the job (too small)................


Meggy, Edith Buch, 1953

Portrait of Leiter, Monika Dietz, 1951

Paar zu dritt, Otto Steinert, 1957

Face of a Dancer, Otto Steinert, 1952

Strict Ballet, Otto Steinert, 1949/50

o.T. II, Helga Schmidt, 1954

Material recording material structure, Helga Merfels, 1950

Wednesday 11 June 2014

Kiss My Arp...Women In Electronic Music




Women In Electronic Music...................................................(title idea for an article that won't be written probably won't be written)......................................................Googled 'Women in electronic music', saw the Wikipedia page 'List of female electronic musicians' and looked at it...mmm....a few names not recognised....clicked around for samples...wasn't impressed by much I heard......................................

'The Body Electric'....................................another title with a view to writing about the image of women in electronic music and music generally....thinking of the images created by certain women in electronic music who are critically successful..........'sexy'....they can't help 'looking good'...it makes the boys love them even more...catwalk music...why not? Factory Floor fashion avant-garde tangent...


.......the danger in championing anyone simply because of their sex is obvious..........................looked at a site promoting women in electronic music.........it's a matter of taste - yes - should female DJs be applauded just because they're female and playing mediocre Dance Music?...if you love mediocre Dance Music, probably.................a 'joke'........



.....................a 'pioneer' of the 90s?.........Andrea Parker...


 ............the 70s..........Laurie Spiegel...........................



......does Wendy Carlos count?..........................................when did Walter become Wendy, exactly?...


..........if Pierre Henry had changed to Paulette Henry in the 60s, would today's world of women in electronic music look very different?....more women making interesting music?........................is it possible to tell the gender from simply listening?......like the whole world, it's man's domain....except for reception work and school catering..........(insert other job stereotypes here _________ )...............

Why don't women gravitate towards darkness?
Or do they?
Some do.
Because they're not as evil as men?
Because they (insert gender stereotypes here ____________ )
Why aren't they as obsessed by technology and how it works as men?
Is this why more males make electronic music? (too obvious?).............

............................................................................................................notes............article unfinished.....



Tuesday 10 June 2014

William Burroughs: The Soft Machine/The Ticket That Exploded/Nova Express - The Restored Texts




Oh no, not more versions of Burroughs novels...how many do we need? Three more now, anyway. Penguin's new restored texts of The Soft Machine, The Ticket That Exploded and Nova Express contain introductions by Oliver Harris and extensive notes. Yes, notes like the one which tells you that "two Negro secret servicemen" from Nova Express was taken from Washington newspaper reports regarding the appointment of the first non-whites as members of the presidential bodyguard (December 1961). Fascinating, yes? No? Perhaps you're not that deeply into Burroughs.



I held an Ace copy of Junkie just the other day at the ICA's book fair. Imagine if I'd broken the spine? I could have made a dealer cry. I couldn't have stolen it because there were guards on every floor. I wondered why until I started checking the prices of the books for sale. Most were astronomical. Some were just expensive because they were hand-made one-offs by artists you've never heard of, well I hadn't.

As I recall, Junkie was valued at more than I would ever pay, even if I won the lottery. But Burroughs, as you probably know, is very collectible. Who would buy it? I suppose there are rich people who collect Burroughs just as they collect any other examples 'outsider' culture. They don't deserve Burroughs. His rare books should be given free to junkies slumped in doorways who don't realise their value and take them to a second-hand bookshop where they're given 50p for each by staff who also don't know their value and sell them to me for £2.50. I then sell them to rich buyers for thousands.

Without having read these new versions yet I did notice that the new edition of The Ticket That Exploded starts with the "see the action, B.J.?" chapter whereas this Olympia version begins with 'winds of time'. Something's afoot. I look forward to finding out what and why.


It looks as if Harris has done some great detective work in tracking sources and untangling the twisted paths of all the various versions. So, yes, if you're a fan, you will want these. The covers are great too, finally applying the collage technique his cut-up novels warrant. There's loads more relating to William Burroughs on this site so click the label and have a look.

Friday 6 June 2014

Cybernetic Serendipity Exhibition at The ICA


Remember when computers were sexy, new, futuristic things of wonderment and mystery? Perhaps you're not that old. 

The Cybernetic Serendipity exhibition ran at the ICA, Nash House, London, from August 2nd to October 20th in 1968.  



Here's a cartoon from the programme...







An album was compiled to go with the exhibition. It's not all computer-generated music (there's classical modernism) but it contains some great tracks.


There's a wonderful page dedicated to the show here. It features more photos and videos as well as a download for the album and PDF of the programme. One thing I can tell you that isn't mentioned there is that it cost £59,000 to put on and lost £24,157. That's not necessarily a fascinating fact.

Thursday 5 June 2014

Fondation Maeght photos


If you're ever in the South of France you should go to Fondation Maeght. We did. Here are some photos...















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